Gordon Matta-Clark and Jacques Derrida: cut and différance
Guardado en:
| Údar: | |
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| Formáid: | artículo original |
| Stádas: | Versión publicada |
| Fecha de Publicación: | 2021 |
| Cur Síos: | This paper puts in relation Gordon Matta-Clark’s work with the concept of différance proposed by Jacques Derrida, identifying the Matta-Clarks “cuts” as differential marks that, in an exemplary way, allow to problematize the relationship between art and politics in the contemporary framework. In line with the proposed objects, the method of analysis consists of a critical writing that hybridizes poststructural tendencies with contemporary art theory. |
| País: | Portal de Revistas UCR |
| Institiúid: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Teanga: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/49589 |
| Rochtain Ar Líne: | https://revistas.ucr.ac.cr/index.php/kanina/article/view/49589 |
| Palabra clave: | Visual Arts Contemporary art Art theory Postestructuralism Political philosophy Artes Visuales Arte contemporáneo Teoría del Arte Postestructuralismo Filosofía Política |