An Approach to Schoenberg's Twelve-Tone Method from Schopenhauer's Musical Metaphysics

 

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Bibliografiska uppgifter
Upphovsman: Mora Calvo, Manuel
Materialtyp: artículo original
Status:Versión publicada
Utgivningstid:2025
Beskrivning:This article arises from a fundamental question: How could twelve-tone music be conceived within Schopenhauer's philosophical system? To answer this, the article begins by describing the metaphysical and aesthetic foundation of Schopenhauer's musical conception. Next, some key points of Schoenberg's twelve-tone method are presented, along with its representation in a musical work. Finally, this compositional method is introduced into that philosophical system, leading to two mutually exclusive interpretations: 1- Twelve-tone music as music that produces suffering (related to the minor key). 2- Twelve-tone music as noise.
Land:Portal de Revistas UCR
Organisation:Universidad de Costa Rica
Repositorio:Portal de Revistas UCR
Språk:Español
OAI Identifier:oai:portal.ucr.ac.cr:article/64262
Länkar:https://revistas.ucr.ac.cr/index.php/filosofia/article/view/64262
Nyckelord:Voluntad
Metafísica musical
Schoenberg
Dodecafonismo
Atonalismo
Will
Musical Metaphysics
Twelve-tone Music
Atonalism