Platform capitalism, music production and consumption: the case of Spotify
محفوظ في:
| المؤلف: | |
|---|---|
| التنسيق: | artículo original |
| الحالة: | Versión publicada |
| تاريخ النشر: | 2021 |
| الوصف: | In the context of recent technological and economic changes mediated by an algorithmic capitalism, the present work studies the change that implies the incursion of platforms in the music industry, as well as their consequences regarding the consumption and production of music. Special attention will be put to the case of Latin America. This analysis includes a review of recent changes in the digital economy through the notion of art worlds. It is evident the emergence of a new actor in the music industry, which assumes roles such as the distribution of musical works and artistic curatorship, thus altering the networks of cooperation and dependence in the music industry. These transformations do not only occur on a global scale, but have potential effects for the Latin American case. |
| البلد: | Portal de Revistas UCR |
| المؤسسة: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| اللغة: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/49478 |
| الوصول للمادة أونلاين: | https://revistas.ucr.ac.cr/index.php/escena/article/view/49478 |
| كلمة مفتاحية: | cultural industry cultural economy sociology of art technological change capitalism industria cultural economía cultural sociología del arte cambio tecnológico capitalismo |