García Márquez: Hyperbole in Journalism and The Invention of Magical Journalism
Guardado en:
| Údar: | |
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| Formáid: | artículo original |
| Stádas: | Versión publicada |
| Fecha de Publicación: | 2020 |
| Cur Síos: | This article investigates the overlap and porosities between fiction and non-fiction discourses in the early texts of Gabriel García Márquez. I propose there is a fluid process of exchange between informative discourses and those of literary creation, where the young writer experimented to novel within journalism, using hyperbole as well as fictional situations and characters in a phenomenon that I call magical journalism. García Márquez’s use of hyperboles works as a springboard of tensions and intentions to expand and compress semantic content. The writer-journalist constructs hyperboles using two main elements: superfluous detail and precise descriptions. On the one hand, hyperboles overflow, pressing limits and, on the other, intricate detailing controls the excess, rendering images credible in the context of the stories that are told. |
| País: | Portal de Revistas UCR |
| Institiúid: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Teanga: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/44439 |
| Rochtain Ar Líne: | https://revistas.ucr.ac.cr/index.php/filyling/article/view/44439 |
| Access Level: | acceso abierto |
| Palabra clave: | García Márquez literature journalism imbrications magical journalism literatura periodismo imbricaciones diarismo mágico |