The way of sensation: Notes on the aesthetics of painting in Merleau-Ponty

 

Salvato in:
Dettagli Bibliografici
Autore: Fagioli, Nicolás
Natura: artículo original
Status:Versión publicada
Data di pubblicazione:2025
Descrizione:In this writing, we delve into some of Merleau-Ponty’s considerations regarding painting. The exploration will be guided by the notion of sensation, a concept that the philosopher adopts from the French painter Paul Cézanne. The aim is to elucidate how the author finds, in Cézanne and in modernist painting in general, a pathway to construct a new conception of sensory experience. This conception will be central to the philosopher’s later reflections, particularly those in which the ontological aspect of his philosophy is emphasized, mainly developed in The Visible and the Invisible.
Stato:Portal de Revistas UCR
Istituzione:Universidad de Costa Rica
Repositorio:Portal de Revistas UCR
Lingua:Español
OAI Identifier:oai:portal.revistas.ucr.ac.cr:article/1554
Accesso online:https://revistas.ucr.ac.cr/index.php/rfilosofia/article/view/1554
Keyword:Sensation
Experience
Merleau-Ponty
Cézanne
Nature
Sensación
Experiencia
Naturaleza