The Folkloric Tradition In Girish Karnad’s Naga Mandala: Play with a Cobra
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| 作者: | |
|---|---|
| 格式: | artículo original |
| 狀態: | Versión publicada |
| Fecha de Publicación: | 2026 |
| 實物特徵: | Postcolonial theater in India has established itself as an artistic expression that addresses a variety of themes. Some postcolonial playwrights have drawn inspiration from traditional folkloric elements. Likewise, Indian theater has developed, in part, as a platform for social and political criticism and protest. Girish Karnad’s Naga-Mandala: Play with a Cobra is a groundbreaking play in terms of its subject matter, the incorporation of folkloric elements, and the way these elements are used to advocate for Indian women. |
| País: | Portal de Revistas UCR |
| 機構: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| 語言: | Español |
| OAI Identifier: | oai:portal.revistas.ucr.ac.cr:article/11398 |
| 在線閱讀: | https://revistas.ucr.ac.cr/index.php/rkanina/article/view/11398 |
| Palabra clave: | Indian postcolonial theater indian folk tales gender-based violence Teatro indio postcolonial cuentos folclóricos indios violencia de género Théâtre indien postcolonial Contes populaires indiens violence de genre Teatro indiano postcoloniale violenza di genere |