The Folkloric Tradition In Girish Karnad’s Naga Mandala: Play with a Cobra
保存先:
| 著者: | |
|---|---|
| フォーマット: | artículo original |
| 状態: | Versión publicada |
| 出版日付: | 2026 |
| その他の書誌記述: | Postcolonial theater in India has established itself as an artistic expression that addresses a variety of themes. Some postcolonial playwrights have drawn inspiration from traditional folkloric elements. Likewise, Indian theater has developed, in part, as a platform for social and political criticism and protest. Girish Karnad’s Naga-Mandala: Play with a Cobra is a groundbreaking play in terms of its subject matter, the incorporation of folkloric elements, and the way these elements are used to advocate for Indian women. |
| 国: | Portal de Revistas UCR |
| 機関: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| 言語: | Español |
| OAI Identifier: | oai:portal.revistas.ucr.ac.cr:article/11398 |
| オンライン･アクセス: | https://revistas.ucr.ac.cr/index.php/rkanina/article/view/11398 |
| キーワード: | Indian postcolonial theater indian folk tales gender-based violence Teatro indio postcolonial cuentos folclóricos indios violencia de género Théâtre indien postcolonial Contes populaires indiens violence de genre Teatro indiano postcoloniale violenza di genere |