The Invisible of the Pampean Landscape in Ignacio Iasparra’s Polaroids and Paisajes Series
Guardado en:
| Autor: | |
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| Formato: | artículo original |
| Estado: | Versión publicada |
| Fecha de Publicación: | 2024 |
| Descripción: | Introduction: In this paper, time and space are researched in the photographic series Polaroids and Paisajes, produced in the 1990s and 2000s by Ignacio Iasparra. Objective: It is proposed to show how other photographic stories are generated, constructed with the stacking of time, through a specific use of the device, which produces new memories about the space of the Argentinean wet pampas. Methods: A pluralist approach is applied that combines mainly History and Philosophy of Art with a methodology of visual analysis, with special emphasis on the use of the photographic technique as tools to approach these images. Results: A set of contemporary images that involve a “non-productive” use of the device that promotes twists on that which it photographs is analysed. Conclusions: The time of duration generates spaces that move away from a certain customary imaginary while at the same time shaping an uncertain world. |
| País: | Portal de Revistas UCR |
| Institución: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Lenguaje: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/57487 |
| Acceso en línea: | https://revistas.ucr.ac.cr/index.php/escena/article/view/57487 |
| Palabra clave: | contemporary Argentinian photography time of duration spatiality costumbrism estrangement fotografía argentina contemporánea tiempo de duración espacialidad costumbrismo extrañamiento |