Lezama Lima and Chess
Đã lưu trong:
| Tác giả: | |
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| Định dạng: | artículo original |
| Trạng thái: | Versión publicada |
| Ngày xuất bản: | 2023 |
| Miêu tả: | In the early 20th Century, Alfonso Reyes’ and Pedro Henríquez Ureña’s intellectual contributions were pivotal to the cultural appropriation of the Baroque in Latin America. However, Lezama Lima also develops his concept of the Baroque in dialogue with European Art historians. Thus, the article examines chess in the poem “Un puente, un gran Puente” [A bridge, a great bridge] (1941) as an allegory of World War II. The theoretical framework includes Neo-Baroque procedures explained by Severo Sarduy. |
| Quốc gia: | Portal de Revistas UNA |
| Tổ chức giáo dục: | Universidad Nacional de Costa Rica |
| Repositorio: | Portal de Revistas UNA |
| Ngôn ngữ: | Español Inglés |
| OAI Identifier: | oai:ojs.www.una.ac.cr:article/19489 |
| Truy cập trực tuyến: | https://www.revistas.una.ac.cr/index.php/letras/article/view/19489 |
| Từ khóa: | Lezama Lima chess World War II Neo-Baroque Insularism ajedrez Segunda Guerra Mundial Neobarroco insularismo |