Images in transit: betweenplace and residency in a comparative study of the short film Esquélitan

 

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Dades bibliogràfiques
Autors: Baltodano Román, Gabriel, Ramírez Villalobos, Grethel
Format: artículo original
Estat:Versión publicada
Data de publicació:2026
Descripció:This article analyzes the short film Esquélitan (1983), directed by Alonso Venegas, as an audiovisual adaptation of Abel Pacheco’s homonymous short story from a comparative perspective. Situated within the cultural context of the Costa Rican Caribbean, the study argues that the cinematic adaptation operates as a space of translation and rewriting that exceeds a moralistic reading of Afro-descendant alterity. To this end, it articulates two central theoretical notions: the Space In-between, as formulated by Silviano Santiago, and the category of the radicant, developed by Nicolas Bourriaud. Through a detailed examination of the film’s narrative and visual organization, the article shows how the adaptation displaces the social determinism of the literary text toward a poetics of transit, in which the protagonist’s identity is constructed as unstable, relational, and internally divided. The fantastic motif of the double, together with the staging of social ascent and decline, allows Esquélitan to be understood both as a narrative situated within a cultural between-place and as a radicant work, in which forms of belonging appear as provisional. In this way, the film illuminates key tensions within Caribbean and Central American literatures and cultural productions of the late twentieth century, underscoring the critical potential of movement across languages, media, and identities.
Pais:Portal de Revistas UNA
Institution:Universidad Nacional de Costa Rica
Repositorio:Portal de Revistas UNA
Idioma:Español
OAI Identifier:oai:www.revistas.una.ac.cr:article/22408
Accés en línia:https://www.revistas.una.ac.cr/index.php/istmica/article/view/22408
Paraula clau:Costa Rican cinema
Film adaptation
Short film
Costa Rican contemporary short story
cine costarricense
adaptación cinematográfica
cortometraje
cuento costarricense contemporáneo