Romper nudos de seda: libertad y subjetividad femenina en Jardín, de Dulce María Loynaz1

 

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Detaylı Bibliyografya
Yazar: Stecher Guzmán, Lucia
Materyal Türü: artículo original
Durum:Versión publicada
Yayın Tarihi:2016
Diğer Bilgiler:This article analyzes Cuban writer Dulce Maria Loynaz’s novel Jardín,focusing on her strategies to subvert different models of femininity.The novel maintains a rich dialogue with different aesthetic trends, whose forms of expression are both accepted and criticized for the limitations they impose on the development of feminine subjectivity.In Jardín, the journey through the different aesthetic, ideological proposals that have helped shape the modern subject presents Loynaz’s criticism of how these construct the feminine subject and her position in terms of gender and sexuality. This journey takes place from within these aesthetic positions, based on the author’s productive appropriation of the novel’s textuality which she transmits through the language of romanticism, symbolism, modernism and vanguardism. Jardín shows how these movements both open and close opportunities for female expression and development.Keywords: Dulce Maria Loynaz; Cuban literature; Garden; female subjectivity; literary models.
Ülke:Portal de Revistas UNA
Kurum:Universidad Nacional de Costa Rica
Repositorio:Portal de Revistas UNA
Dil:Español
OAI Identifier:oai:ojs.www.una.ac.cr:article/8750
Online Erişim:https://www.revistas.una.ac.cr/index.php/istmica/article/view/8750
Anahtar Kelime:Dulce Maria Loynaz
Cuban literature
Garden
female subjectivity
literary models.
Dulce María Loynaz
literatura cubana
Jardín
subjetividad femenina
modelos literarios.