From “the Street” to the Academy
Guardado en:
| Autores: | , |
|---|---|
| Formato: | artículo original |
| Estado: | Versión publicada |
| Fecha de Publicación: | 2025 |
| Descripción: | This article reflects on inclusivity in university music schools Objective: It aims to highlight the problem of discrimination in the competition process for auditions for the admission to bachelor’s and bachelor’s degree programs in music education. Method: The experience of a teacher and a 38-year-old student, who enters the Pre-University Program of the School of Musical Arts of the University of Costa Rica with little previous knowledge of formal music theory, is used. Results: The results show positive feedback for both the student and the teacher, demystifying various myths about the subject. Conclusions: It is concluded that many popular music professionals have not had access to obtaining an academic degree |
| País: | Portal de Revistas UNED |
| Institución: | Universidad Estatal a Distancia |
| Repositorio: | Portal de Revistas UNED |
| Lenguaje: | Español |
| OAI Identifier: | oai:revistas.investiga.uned.ac.cr:article/5677 |
| Acceso en línea: | https://revistas.uned.ac.cr/index.php/rupturas/article/view/5677 |
| Palabra clave: | percussion gig academy pop music university school of music conservatory percusión chivo academia música popular universidad escuela de música conservatorio |