Inclusion Politics/Subalternization Practices: The Construction of Ethnicity in Villancicos de Negros of the Cathedral of Santiago de Guatemala (16th-18th Centuries)
Đã lưu trong:
| Tác giả: | |
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| Định dạng: | artículo |
| Ngày xuất bản: | 2019 |
| Miêu tả: | This article problematizes the notion of ethnicity underlying villancicos de negros of the Archdiocesan Historical Archive of Guatemala (AHAG). Although these are musical pieces that project the idea of social harmony in a festive context, the truth is that identities emerge in conflict with colonial power, based on an ambivalent discourse that consolidates and naturalizes racial stereotypes. |
| Quốc gia: | Repositorio UNA |
| Tổ chức giáo dục: | Universidad Nacional de Costa Rica |
| Repositorio: | Repositorio UNA |
| Ngôn ngữ: | Inglés |
| OAI Identifier: | oai:null:11056/17651 |
| Truy cập trực tuyến: | http://hdl.handle.net/11056/17651 http://dx.doi.org/10.15359/rh.80.1 |
| Từ khóa: | COLONIAL MUSIC ETHNICITY CATHEDRAL OF SANTIAGO DE GUATEMALA VILLANCICOS DE NEGROS ETNICIDAD AFRODESCENDIENTES IDENTIDAD CULTURAL DISCURSO HISTORIA GUATEMALA MÚSICA COLONIAL SUBALTERNIDAD SUBALTERNITY |