Art, Feminism, and Power: Lxs cuerpxs con vulva by Anna Matteucci
محفوظ في:
| المؤلف: | |
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| التنسيق: | artículo original |
| الحالة: | Versión publicada |
| تاريخ النشر: | 2022 |
| الوصف: | The article studies the link between art, feminism and power, expressed in the works of the Costa Rican artist Anna Matteucci. It analyzes pieces and creative spaces that address issues of sexuality, gender, family, and religion. Theoretical references on power, art and discourse are used, which are based on Foucault (1988), Castells (2009), Foster (2017), Giunta (2014), Badiou (2013), Bourriaud (2008), Antivilo (2013) and Escobar (2021). Everything related to gender, sexuality and the family is framed in Butler’s (2007) approaches to feminism and so-called nomadic identities. It is concluded that Matteucci’s work evidences certain ways of thinking of women in the context of a violent society that censors and invisibilizes the body and its diversity, thus expressing a counter-hegemonic discourse that, as such, is essentially political and unauthorized, given its subversive content. |
| البلد: | Portal de Revistas UCR |
| المؤسسة: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| اللغة: | Español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/51999 |
| الوصول للمادة أونلاين: | https://revistas.ucr.ac.cr/index.php/escena/article/view/51999 |
| كلمة مفتاحية: | contemporary art women religion sexuality gender arte contemporáneo mujer religión sexualidad género |