Inclusion Politics/Subalternization Practices: The Construction of Ethnicity in Villancicos de Negros of the Cathedral of Santiago de Guatemala (16th-18th Centuries)
محفوظ في:
| المؤلف: | |
|---|---|
| التنسيق: | artículo original |
| الحالة: | Versión publicada |
| تاريخ النشر: | 2019 |
| الوصف: | This paper problematizes the notion of ethnicity underlying in villancicos de negros that are sheltered in Guatemala’s Archidiocesan Historical Archive. Despite being musical pieces that project the idea of social harmony, they enable the emergence of identities in conflict with the colonial power, based on an ambivalent discourse that consolidates and naturalizes racial stereotypes. |
| البلد: | Portal de Revistas UNA |
| المؤسسة: | Universidad Nacional de Costa Rica |
| Repositorio: | Portal de Revistas UNA |
| اللغة: | Español |
| OAI Identifier: | oai:www.revistas.una.ac.cr:article/12972 |
| الوصول للمادة أونلاين: | https://www.revistas.una.ac.cr/index.php/historia/article/view/12972 |
| كلمة مفتاحية: | Colonial Music Ethnicity Subalternity Afro descendants Ethnic Identity Speeches History Guatemala música colonial etnicidad subalternidad afrodescendientes identidad cultural discurso historia |