Inclusion Politics/Subalternization Practices: The Construction of Ethnicity in Villancicos de Negros of the Cathedral of Santiago de Guatemala (16th-18th Centuries)
Αποθηκεύτηκε σε:
| Συγγραφέας: | |
|---|---|
| Μορφή: | artículo original |
| Κατάσταση: | Versión publicada |
| Ημερομηνία έκδοσης: | 2019 |
| Περιγραφή: | This paper problematizes the notion of ethnicity underlying in villancicos de negros that are sheltered in Guatemala’s Archidiocesan Historical Archive. Despite being musical pieces that project the idea of social harmony, they enable the emergence of identities in conflict with the colonial power, based on an ambivalent discourse that consolidates and naturalizes racial stereotypes. |
| Χώρα: | Portal de Revistas UNA |
| Ίδρυμα: | Universidad Nacional de Costa Rica |
| Repositorio: | Portal de Revistas UNA |
| Γλώσσα: | Español |
| OAI Identifier: | oai:www.revistas.una.ac.cr:article/12972 |
| Διαθέσιμο Online: | https://www.revistas.una.ac.cr/index.php/historia/article/view/12972 |
| Λέξη-Κλειδί : | Colonial Music Ethnicity Subalternity Afro descendants Ethnic Identity Speeches History Guatemala música colonial etnicidad subalternidad afrodescendientes identidad cultural discurso historia |