Inclusion Politics/Subalternization Practices: The Construction of Ethnicity in Villancicos de Negros of the Cathedral of Santiago de Guatemala (16th-18th Centuries)
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| Autor: | |
|---|---|
| Formato: | artículo original |
| Estado: | Versión publicada |
| Fecha de Publicación: | 2019 |
| Descrição: | This paper problematizes the notion of ethnicity underlying in villancicos de negros that are sheltered in Guatemala’s Archidiocesan Historical Archive. Despite being musical pieces that project the idea of social harmony, they enable the emergence of identities in conflict with the colonial power, based on an ambivalent discourse that consolidates and naturalizes racial stereotypes. |
| País: | Portal de Revistas UNA |
| Recursos: | Universidad Nacional de Costa Rica |
| Repositorio: | Portal de Revistas UNA |
| Idioma: | Español |
| OAI Identifier: | oai:www.revistas.una.ac.cr:article/12972 |
| Acesso em linha: | https://www.revistas.una.ac.cr/index.php/historia/article/view/12972 |
| Palavra-chave: | Colonial Music Ethnicity Subalternity Afro descendants Ethnic Identity Speeches History Guatemala música colonial etnicidad subalternidad afrodescendientes identidad cultural discurso historia |