Inclusion Politics/Subalternization Practices: The Construction of Ethnicity in Villancicos de Negros of the Cathedral of Santiago de Guatemala (16th-18th Centuries)
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| Tác giả: | |
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| Định dạng: | artículo original |
| Trạng thái: | Versión publicada |
| Ngày xuất bản: | 2019 |
| Miêu tả: | This paper problematizes the notion of ethnicity underlying in villancicos de negros that are sheltered in Guatemala’s Archidiocesan Historical Archive. Despite being musical pieces that project the idea of social harmony, they enable the emergence of identities in conflict with the colonial power, based on an ambivalent discourse that consolidates and naturalizes racial stereotypes. |
| Quốc gia: | Portal de Revistas UNA |
| Tổ chức giáo dục: | Universidad Nacional de Costa Rica |
| Repositorio: | Portal de Revistas UNA |
| Ngôn ngữ: | Español |
| OAI Identifier: | oai:www.revistas.una.ac.cr:article/12972 |
| Truy cập trực tuyến: | https://www.revistas.una.ac.cr/index.php/historia/article/view/12972 |
| Từ khóa: | Colonial Music Ethnicity Subalternity Afro descendants Ethnic Identity Speeches History Guatemala música colonial etnicidad subalternidad afrodescendientes identidad cultural discurso historia |